“I love deadlines. I like the whooshing sound they make as they go by.”
Sorry, Douglas. You may be one of my favorite writers, but I’m going to have to disagree with you here. Sort of.
I love deadlines, too. I love hitting them, that is. Deadlines keep me honest. They force me to produce even when I’d much rather do something else. Basically, they force me to show up.
I set myself a number of deadlines because I know otherwise I wouldn’t accomplish as much as I want to. Because they’re self-imposed, I’m not really accountable to anyone other than myself. If I don’t send an e-mail or I don’t post to my blog on a regular basis, sure some readers may notice, but it’s doubtful. So maybe I skip a day or a week, and the world doesn’t end.
I’m not writing my next novel to a contract or a deadline either, so if I don’t hit my goal of having a first draft completed by April 1, no one’s going to be tapping their foot wondering where it is or why it’s not done. I could finish the novel in April or May or June and no one would be any the wiser that I’d let that deadline go whooshing by.
You see where I’m going with this, right?
I’ve been thinking about Wonder Woman a lot lately.
Wind up, spin, repeat.
Like I mentioned earlier, my goal this year is to read some of the books I already own. I have a bad book-buying habit that is not matched by my book-reading habit—I always manage to find a book at the library that must be read right now or an e-book on sale that I can’t pass up. Not this year. I’ve got books already, and I’m going to read them.
Right now, I’m reading Funny Boy by Shyam Selvadurai, but first here’s what I’ve finished this year so far:
- The Parable of the Sower by Octavia Butler
- Ella Minnow Pea by Mark Dunn
- Portrait of an Addict as a Young Man: A Memoir by Bill Clegg
I’ve already started and set aside one book that I just wasn’t feeling, but let’s not dwell on that. Here’s the thing: I’m not a professional reviewer. I only finish the books I enjoy, and if I don’t enjoy one, I’m not going to waste the oxygen talking about it. Critical reviews have their place; this isn’t one of them.
Even if it were, I couldn’t say a negative thing about Parable of the Sower, which I started in December over the holidays and finished this month. If you haven’t read anything by the late Octavia Butler and you enjoy science fiction, dystopia, and/or YA, pick up this book:
When unattended environmental and economic crises lead to social chaos, not even gated communities are safe. In a night of fire and death Lauren Olamina, a minister’s young daughter, loses her family and home and ventures out into the unprotected American landscape. But what begins as a flight for survival soon leads to something much more: a startling vision of human destiny… and the birth of a new faith.
I’ll confess, I’m going to make an exception to my “read my own damn books” rule when the sequel, Parable of the Talents, is available at the library. I only wish Ms. Butler were still with us to write more fantastic stories like this.
Those are just three of the things that have been keeping me from playing in traffic this week.
1. If you’re awaiting Alexander Chee’s new novel, The Queen of the Night, as eagerly as I am, drop everything and go over here right now to read the first chapter. It’s been a heck of a long time since Edinburgh came out, and I’m pretty confident this book will have been worth the wait.
There’s a piece of paper that I’ve taped to my computer monitor. It has one word on it:
Why? Bear with me, it’ll become clear in a second.
I’m a runner. I started running when I was fifteen and except for a recurring back injury, I haven’t stopped since. So my friend Jane Campbell’s essay at Hazlitt on running, pain, and persevering when you just want to end it (spoilers: it’s about more than just running) was a breathtakingly awesome read.
Meanwhile, over at The Awl, my friend Nicole Boyce writes about the commodification of nostalgia, an event called 90sFest, and delivers this awesome line: “(W)e were being marketed to, but not necessarily duped. And for the first time, I felt real nostalgia: not for Rugrats or Steve Madden shoes, but for a time when I was less skeptical about buying the experiences I love.”
And while we’re on the topic of personal essays, this article on memoir, taboos, and trust was gripping and useful reading for me. I tread this line whether I’m working on fiction or nonfiction, and even if I’m making something up, it seems a given that someone will think it actually happened.
I teach a workshop at St. Louis Community College on social media for writers (there is an irony in there, but I’m not sure if it’s real irony or the Alanis Morrissette version). A couple of articles I’m going to recommend this year are this one: “Please shut up: Why self-promotion as an author doesn’t work” and this one: “Wait, Keep Talking: Author Self-Promo That Actually Works”. It basically boils down to be yourself but don’t be me me me all the time, lift other people up, and don’t do it if you don’t want to. But still, go read them because there’s more to it than that.
Whenever I have periods where I can’t keep up my momentum, I seem to come across things that help stoke the furnace. This comic, for one. This article, as well. Rejection comes with the territory, and it’s (usually) never personal, even if it feels personal to us. Reconnect with what you love about what you do: crafting the sentence with exactly the right number of words, getting the color of the sky just right, landing the punchline. Whatever it is, don’t let go of that.
I think the question I get asked most often as a writer is “where do you get your ideas?” And my answer to that is always “Costco. They sell them in bulk.”
Here’s the question I ask other writers most often, especially after I read one of their recently published stories: how did you hear about that magazine?
Writing the story and revising it—and then revising it again, and one more time, then shoving it in a drawer and saying “you’re dead to me” before pulling it out a month later and saying “I promise to treat you better,” then revising it again, and thinking maybe, maybe it’s done—
Wait, where was I? Oh, right. Writing and revising are perhaps the hardest parts, but then figuring out what to do with the thing once it’s finished is a different kind of quandary. Where do you send it?
Lately I’ve felt like my tank is running kind of low, you know? Like everything I do is tired or worn out or not so fresh. So I’ve been refueling with stories, and not just the ones that I read on the page or on the screen. For the last couple years I’ve really not been watching much TV at all, but recently I binge-watched Don’t Trust the B— in Apt. 23 and am kind of hooked on Krysten Ritter, so when Netflix basically preloaded the first episode of Jessica Jones, I said why not? Yep, hooked again. It doesn’t hurt that David Tennant is also on it, even if he’s completely evil.
So, the Powerball jackpot got me thinking a lot about writing this week. For those who aren’t familiar, a) you must pay attention to the news even less than I do (which is not much), and b) the jackpot is now up to $1.3 billion.
Wow, that’s a lot. Even if four people got tickets with the winning numbers, they’d each get over $300 million. Pretty life changing, right?
What does this have to do with writing? you ask. Well, nothing, except that writing often seems like a big gamble, but if you don’t play, you can’t win.
One of my friends asked the perennial question, “What would you do if you won?” After my initial thoughts of “biggest pet sanctuary ever” and “life-size Millennium Falcon,” I was kind of stumped. Then I realized, I would do exactly what I’m doing now: Write, only with less worry about finances.
I’d like to say “so I decided to stop worrying about finances” but HA! Right. As if. Continue reading
I read somewhere recently that January is like the Monday of months, and if that isn’t the truth, I don’t know what is. That said, there’s still lots of fun stuff to read, and a lot of it’s written by people I know, which is totally a coincidence:
“When you hug your father grab onto his love handles, look him in the eye and say “You’re only doing this to hurt me, aren’t you?” (From “How to survive the holidays with parents who fat-shame you,” by the fabulous Baruch Porras Hernandez)
I don’t know about you, but this year I’ll be boldly going to the post office! (More on all their releases can be found here.)
“Short stories are gaining increasing critical respect,” said Ciabattari, who lives in California. “We’re reading on our phones; we’re reading online; we are pressed for time. We can grab a moment and read a complete story.” (The rise of short stories)
“The fact is, I don’t want to go back to the world. Would you?” (From “Can’t Stay Here” by Seth Fischer, whom I met at the Lambda Literary Retreat in 2014)
“I didn’t get the point of Mike. I didn’t see what he brought to the table. Brooke was amazing and funny and whipcrack smart. Mike was…a dude. In his group of friends, he wasn’t even the dude. He was Dude #3, faceless supporting cast in an anonymous posse of white bros.” (From “Nightshade” by Taylor Basso)