I’m always impressed by artists in one medium who can excel in another medium as well. This recording by Philip Glass (Spotify link) has got me thinking about playing the piano again.
I’m not sure why I’m drawn to this so particularly. I’m pretty sure it’s in a minor key, and I’ve always felt more like a minor than a major; there’s something sort of conditional about the minor keys, like they’re getting away with something and they’re trying to keep you guessing which way they’re going to go next.
Sounds kind of like writing, to me.
If you follow me on the Twitter or the Facebook or the Instagram, you might have heard about this already, but I figured it was worth mentioning again here. I’ve got a story coming out in Issue Two of Foglifter Journal. It’s a relatively new litmag published in San Francisco and dedicated to writing by queer writers. My story, “Shepherd,” is a little queer and a little strange, and features (surprise, surprise!) a dog. I’ll share a snippet of it a little closer to publication date, but in the meantime, go check out the magazine.
And hey, check out the list of contributors for Issue Two. Look who I’m just below: Jewelle Gomez! I read that and thought, “OMG, I’m going to be in the same magazine as Jewelle Gomez? Am I worthy?” Not only that, but five (FIVE) writers I met when I was a Lambda fellow. It’s gonna be like old home week in print!
I’ve heard of some writers—I’ll be honest, I can’t remember their names at the moment, so this might be one of those “My best friend’s sister’s boyfriend’s brother’s girlfriend heard from this guy who knows this kid who’s going with the girl who saw Ferris pass out at 31 Flavors last night. I guess it’s pretty serious” kind of things.
Wait, where was I? Oh, right. Some writers don’t like to read heavily when they’re deep in their own writing. Me, I don’t think I could function if I stopped reading for that long. I’ve been reading a lot of science fiction recently because, surprise, that’s also what I like writing a lot. Here are the three that have captivated me the most recently: Continue reading
I’ve been thinking a lot about revision lately, mainly because I’m in the middle of a big one. When I do my revising, I always start with a hard copy. This is probably old-fashioned—really, I’m not a Luddite; no, I mean it, stop laughing—but it serves a purpose, I’ve discovered. First, I think it allows me to step back from the actual process of writing. When it’s literally on paper, I treat it differently than I do when the words are on screen. You’d think I’d approach them with a greater sense of finality, right? I mean, it’s concrete when it’s on paper.
Instead, I end up doing things like this: