A cautionary social media tale

[TL;DR–social media delights in distracting you and wasting your time. Minutes/hours spent tweeting or posting are minutes/hours not spent writing. Is that how you want to be spending your time? Also, commenting on a trending hashtag brings out the crazies like you wouldn’t believe. Don’t feed them, whatever you do. Their appetite is bottomless.]

Hashtags on Twitter can be great, right? You can find a lot of information and links about a particular topic or event pretty quickly. Some of my favorites are #FridayReads, where people tell you about the books they’re reading as of (you guessed it) Friday. I also liked #SAS16 when I was at the Saints & SInners Literary Festival in New Orleans. And stumbling across #PitchWars got me some really useful feedback on a work in progress. (Thanks, Michael Mammay and Dan Kobold.)

So when I saw a hashtag that said #BoycottHawaii, I thought, “What’s that about?” and clicked on it.

That was, well, a mistake. Continue reading

A story: “At the End of the Leash”

Cover of Fool for Love: New Gay FictionYou never forget your first, right? This story was the first one I ever published. It still holds a special place in my heart, but when I looked at it now, it struck me that I didn’t realize at the time how long it was. Over 8,000 words? Seems excessive to me now. I’m a more concise writer, I think.

This story originally appeared in the anthology Fool for Love: New Gay Fiction edited by R.D. Cochrane and Timothy J. Lambert and published by Cleis Press. A lot of the authors in here have become friends of mine, as have the editors.

This story may have established a pattern for a lot of my future stories, in that they too revolve around love and somehow manage to work dogs into the equation.

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Next week, a story

(TL/DR, sign up for my email newsletter and next week you’ll get a short story from me. I promise not to be spammy or sell your name, because people who do that have a special place in hell where they’re forced to be roommates with Ann Coulter and Kellyanne Conway. And Chris Christie lives next door. Ew, right?)

This week I officially rejoined the ranks of the full-time workforce. I won’t bore you with the details about that (and they really are boring), but it gives me an opportunity to talk about consistency, time management, changes to my weekly email (which haven’t been all that weekly of late), and the value we place (or don’t place, rather) on fiction.

I’m not the sort of writer who thinks “you have to write every day without fail and it has to be  X number of words or you’re a complete failure why do you even call yourself a writer just give it up already.”

Photo of an old fashioned typewriter by Sergey Zolkin.

Note, this is not my typewriter. Do I wish it was? You betcha.

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Having a lot of class (I hope)

In case you live in St. Louis, I wanted to tell you about some classes I’m teaching at St. Louis Community College’s Meramec campus this spring. This past fall, alas, was a bit of a bust given some unfortunate computer/web-related snafus that meant only one of my classes showed up in the college’s online calendar. Which meant not enough people signed up for any of them, which meant suddenly my Tuesday nights and weekends were free. Given all that, you’d think I would have gotten more writing done last fall, right?

Anyway! Here’s what I’ll be teaching this spring. You can also find them all on STLCC’s website (whew!):

Feb. 25: Social Media for Writers. (Hey, that’s Saturday! Yep, there’s still room in this one.) Oh, the irony, right? It’s not lost on me that the person with the love/hate relationship with Facebook (let’s face it, mostly hate) is teaching a class on setting up all the crap that makes a “platform.” No, I’m not fond of that term, either. So why is the guy who keeps taking social media sabbaticals and who junked his personal Facebook profile last year teaching this class?

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There’s always something you can do

I’ll be honest. I had a little freakout this week.

keep-calm-and-carry-onI don’t even know if anyone but me noticed it, since so much of my life happens within the confines of my skull. (For this fact, the test of the world should probably be happy.) Suffice it to say, on my lunch hour when I usually write, I spent too much time reading too much of the news, figured societal collapse was inevitable within the next six months, so what the hell was the point in anything anyway, especially stories?

You can imagine this is not a great mindset to encourage writing.

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On coffee, captains, and characters

I’m planning to teach a workshop this summer at the community college on creating characters, so that’s had me thinking: What makes our favorite characters our favorite characters? It’s never quite the same thing every time, is it?

If you follow me on any social media, it’ll be no surprise to you that I am a big fan of Captain Kathryn Janeway.

captain_janeway2

Total badass coffee achiever

For those not in the know, she’s the commanding officer of the U.S.S. Voyager on the TV series Star Trek: Voyager, which ran from the late ‘90s to 2001. If you follow along on Instagram, or Twitter, or (ugh) Facebook, you’ll notice I post a lot of gifs featuring her fairly regularly. (There’s a reason I tag them #DailyJaneway, after all.)

No, she’s not a literary character (unless you count the Star Trek novels in which her character appears, and I do recommend Jeri Taylor’s Mosaic when it comes to that), but what makes her so compelling? Yes, Kate Mulgrew, the actress who portrays her, is a big reason I love her character so much, but beyond that, what is it about her? Is it some combination of background and character traits? Is it her love for coffee? (OK, that might play into it.) Is it that she’s from the Midwest and I’ve spent most of my life there, against my better judgment? Is it that she’s a scientist at heart? Maybe it’s that she stands up to anyone, no matter how big a bully they are. She’ll do anything for her crew, and she’ll tread along a narrow, confusing path between expediency and principle in order to get them home. She’s flawed and imperfect and completely determined.

She’s not black and white. She’s fabulously complicated.

She has a problem, she needs a solution, and the space between those two points is huge and full of conflicts. She’s not as noble as Jean-Luc Picard, not as tragic as Ben Sisko, and not as cavalier as Jim Kirk. (We won’t talk about Archer. Sorry.) She’s not always likable, but I’d say she’s the most relatable person to sit in the captain’s chair in any version of Star Trek.

For me, at least. And that’s why I keep coming back to her. And why I keep thinking about the things that make her a great character to me, so that I can tap that kind of complication when I’m working on my own characters, even a gay high school teenager who’s the son of an Amazon.

(See? Even when I start off talking about Star Trek, it all comes back to the writing.)

You are not cereal

Originally, this was the week I was planning to write about one of my favorite fictional heroes, Captain Kathryn Janeway, and try to explain why I find her so compelling. (For those who don’t know, she was a starship captain played by Kate Mulgrew in the science fiction series Star Trek: Voyager, and if you didn’t know this already, all seven seasons are available on Netflix.)

And I will still write about that (because Janeway=awesome), but next week. Because this past week, thanks to my friend ’Nathan, I came across this post on the website of a literary agency about a topic that’s somewhat close to my heart… well, if I’m honest, it’s probably closer to my spleen than anywhere else, because as I’ve discussed before, I have a love/hate relationship with social media. (I teach a class in social media for writers, and no, the irony of that is not lost on me.)

But, dialogue is always a goal of mine with writing, and I mean dialogue with the reader, not dialogue between the characters (although that’s a component of my writing, obviously). Social media is probably the best way for a midlist writer (or lower, like myself) to put a message in a bottle and send it across the sea to people who may open it and say yes, I get that.

So anyway, I read that post and my first thought was, “Well, what a load of codswallop.” Continue reading

You can’t be everywhere all the time

I didn’t want this to be one of those “so I left Facebook, look at how above it all I am” post. So I asked myself: “Self,” I asked, “what does ditching a social media profile have to do with anything?”

It goes back to grad school.

Back in 2014, when I was getting my MFA in creative writing, I had a novel to write. This was my graduate thesis, and it was a dark speculative fiction piece about climate change, crumbling civilization, and the possibility of a new life on another planet, but mostly it was about family. It’s funny how, in the intervening years, what I wrote as basically science fiction looks scarily close to becoming fact (except for the whole other planet bit), but that’s the thing about fiction, right? Sometimes you tell a vision of the future and it comes true.

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Sunday Shorts – “Shepherd” Q&A with Jeffrey Ricker

Hey, my friend ’Nathan asked me a few questions about “Shepherd,” the story of mine that appeared in Foglifter magazine. He also said some darn nice things, but he’s a nice guy. He’s also a fantastic writer, so go read this and then check out his latest novel, Triad Blood.

'Nathan Burgoine

coverFoglifter Magazine

I need to offer a public mea culpa with today’s Sunday Shorts. I had intended to have this ready for release to coincide with the month of release of the magazine, Foglifter, in which the story appeared, which was—cough—last November. Then I managed to have a spectacular ice fall (among other things) and everything sort of stuttered to a stop for a bit.

But! One of the great things about great shot ficition like Ricker’s “Shepherd”? It’ll wait for you.

You should haven’t wait for Jeffrey Ricker, though, and for that I apologize.

Foglifter is a queer journal and press, but more than that. We want powerful writing, intersectional writing, that queers our perspectives; writing that explores the sometimes abject, sometimes shameful, but always honest and revelatory experience; writing that calls into question the things we believe to be true, the things we believe to be known…

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Goal for 2017: Actively seek out rejection. (Yes, really.)

Happy New Year!

That’s less of a declaration and more an expression of hope, as in “wow, I hope 2017 will be happy.” Because 2016 was a bit of a Dumpster fire, wasn’t it? Between a horrific election cycle and the way the year killed off so many actors, musicians, and artists, by Dec. 31 I was ready to stay up until midnight just to watch 2016 die.

Now that it’s over, though, I’m trying to look ahead and decide what I want to accomplish this year. I don’t really believe in New Year’s resolutions; they never seem to carry through the whole of the year, anyway. We make too much of a big deal about them, I think, and create unrealistic expectations (I’m going to get into the Best. Shape. Ever! I’m going to write a novel! I’m going to run a marathon!) and then the second week of January rolls around and we’re slouched in front of the TV on a Netflix binge with a pint of Ben & Jerry’s (those are single-serving containers, right?) and wondering where our motivation went.

That said, yes, you can set a goal for yourself at any time of the year, but that doesn’t mean you shouldn’t set a goal at the beginning of the year. Basically, don’t stress about it, right?

Anyway, to figure out my goal for 2017, I just have to look back to the last day of 2016: On Dec. 31, I submitted a short story for an anthology. On Jan. 2, I received the rejection notice.

Image by Judith E. Bell/Flickr

Image by Judith E. Bell/Flickr

You know what? I’m actually pleased with this. One, it means I finished that story. Dec. 31 was the submissions cutoff, and I was almost certain I wouldn’t make it. But I did. So, achievement met there. That it got killed two days later is less-than-optimal, but maybe the story was less than optimal. Or maybe the reviewers were hungover from too much champagne. Or maybe they already had a story very similar to it. Or maybe they don’t like their science fiction a little bit gay.

But whatever. None of that is in my control—except for the possibility that the story was less than optimal, in which case this is an opportunity to revise. My point, and I do have one, is that my submission might have been rejected, but if I hadn’t submitted, I would have had no chance of acceptance, either.

Control what you can. For me, I can control how often (and where) I submit. So that’s what I’m planning to do. I’ve already got my eye on a submission deadline of January 31, and I’ve filled my calendar with reminders of when some magazines’ submission windows reopen. (Hopefully, I’ll have something to throw in their windows at that time.) If you’re a writer and your work leans toward speculative fiction or queer fiction, my friend ’Nathan is very good at posting calls for submission that he’s aware of. He does that every Wednesday; here’s what he posted this past week. (He also mentions his novel that’s coming out later this year; he’s a darn good writer, so that’s worth checking out if you like dark urban fantasy.)

Wish me luck.